Sunday, December 10, 2023
Monday, November 27, 2023
Friday, November 17, 2023
Thursday, October 12, 2023
Friday, August 11, 2023
“Uliveto e Trattore”
I've been studying Van Gogh's olive grove paintings a bit. I then remembered that I took some pictures of some olive groves when I visited Italy a few years back. Digging them out, I discovered a few I liked. As a result, inspired by Van Gogh, I started on this small painting. I mean, it's not Van Gogh. It is just not. But, the inspiration is there.
Later
After working on it for a while, I might have been going for Van Gogh, but ended up with Bob Ross. I'm not sure.
Even so, I've learned a few things: First, a stiffer brush is better than a softer brush. Two, structure in trees is better than too many curves. Three, Van Gogh may have outlined the trunks of his trees, but thinner lines are better than thick. Also, it is best to vary your line weight. Finally, alizarin crimson does not make a good trunk. Transparent oxide red is better.
Session 1
Session 2
Session 3
Session 4
Saturday, June 3, 2023
Thursday, June 1, 2023
Friday, May 19, 2023
Sunday, May 7, 2023
“The Veil is Thin”
Some notes:
First attempt at using the Zorn palette.
So far, I've found a few things. With a wider palette, one usually paints with pigments. With a limited palette, however, one paints with colors. There is a difference. With a wider palette, you learn the properties of each pigment and what you can do with them. Not every pigment is the same, and when mixed they perform differently. With a limited palette, you have only four pigments. The mixes with these pigments behave the same no matter what. You really truly paint with color and value.
The other lesson is this: with a limited palette, you really have to mix all four pigments in some way. Pure pigment with no mixing does not look right. Compare that to a wider palette. In that case, you might mix maybe only two pigments, or you may end up with mud. In fact, only in the rarest situations do you mix more than two and only with very specific pigments. With a limited palette, however, no matter how you mix them, you can't make mud.
Lastly, opacity is not 100% opaque. There is some translucency.
Oh, and one last thing. There is no such thing as beginner's luck.
Session 1
Session 2
Session 3
Session 4
Final
First attempt at using the Zorn palette.
So far, I've found a few things. With a wider palette, one usually paints with pigments. With a limited palette, however, one paints with colors. There is a difference. With a wider palette, you learn the properties of each pigment and what you can do with them. Not every pigment is the same, and when mixed they perform differently. With a limited palette, you have only four pigments. The mixes with these pigments behave the same no matter what. You really truly paint with color and value.
The other lesson is this: with a limited palette, you really have to mix all four pigments in some way. Pure pigment with no mixing does not look right. Compare that to a wider palette. In that case, you might mix maybe only two pigments, or you may end up with mud. In fact, only in the rarest situations do you mix more than two and only with very specific pigments. With a limited palette, however, no matter how you mix them, you can't make mud.
Lastly, opacity is not 100% opaque. There is some translucency.
Oh, and one last thing. There is no such thing as beginner's luck.
Session 1
Session 2
Session 3
Session 4
Final
Labels:
all souls procession,
procession
Thursday, April 27, 2023
Graffiti Of: “Bikes in Amsterdam”
I’ve got a new blog for my digital work called Graffiti Of. This is my first new post:
Bikes in Amsterdam
Tuesday, December 20, 2022
Saturday, September 17, 2022
Wednesday, September 7, 2022
Thursday, September 1, 2022
Sunday, August 21, 2022
“All Souls Procession Study”
I've had to sort of regroup after mom died. Most of my current projects are on hold. I did manage to start this small 11x14 inch piece to keep my chops up. That is all I can muster.
Session 1
Session 2
Session 3
Session 1
Session 2
Session 3
Labels:
all souls procession,
procession
Friday, May 6, 2022
“The Battle of San Romano” Reproduction, Part 0.1: Materials
My Blick order came yesterday. It consisted of powdered pigments, mostly earth pigments, though some modern pigments too, some walnut oil, gesso, tools for mixing pigments, and a hardboard surface to do a compositional study before I do the big mammajamma.
I’ve looked at some recipes online for egg tempera. Usually they use egg yoke, distilled water, and a little oil to keep it “open.” I chose walnut oil, which was a commonly used period alternative to linseed oil.
My plan is to do a series of studies to try and master painting with egg tempera before doing the final, to scale study, and finally the big one.
That is all for now. I plant to post each step along the way.
I’ve looked at some recipes online for egg tempera. Usually they use egg yoke, distilled water, and a little oil to keep it “open.” I chose walnut oil, which was a commonly used period alternative to linseed oil.
My plan is to do a series of studies to try and master painting with egg tempera before doing the final, to scale study, and finally the big one.
That is all for now. I plant to post each step along the way.
Saturday, April 30, 2022
“Battle of San Romano” Reproduction, Part 0
Okay, I’ve got one commission to do first, but I’m getting excited about my new project. I’m going to try and do a reproduction of the piece below. The piece is called “The Battle of San Romano” by Paulo Uccello, a Florentine artist from the 1400s.
My wife and I saw the piece at The National Gallery in London in 2019, before the pandemic. When I saw saw it, I said, that looks like photos I’ve been taking at Estrella all these years. The composition will be my own, from my Estrella photos, but the technique and materials will all be period. It will also be about a quarter the size of the original. I’m expecting the project to take a year or more.
Friday, April 29, 2022
“Dour Man Wearing Jaunty Hat”
Back to a chiaroscuro style portrait, but utilizing some thicker, chunkier paint to give it some spontaneity, and a painterly quality.
Friday, April 1, 2022
Friday, February 11, 2022
Thursday, December 23, 2021
Sunday, November 14, 2021
NFT Art Carnival
It will affect the way money is made and spent. It will affect banking. It will affect economics. It will affect the way you are paid. It will affect your taxes. It will affect the idea of ownership of anything digital. Facebook, with its rebranding, is all in. Entire countries are adopting crypto as their official currency.
I also firmly believe that this is the thing that our generation, when we are old, will be confused and befuddled by. Our kids are going to be the ones that have to explain the technology over and over again to us and we still won’t get it. It will be overwhelming and we will be too old to adapt.
Mark my words. Hold onto your hats and keys. A big change is coming.
Saturday, October 30, 2021
Sunday, October 24, 2021
Wednesday, October 6, 2021
"Graffiti of Simpler Times"
This is another digital piece based off of one of my figure drawings in my sketchbook. I like the way it turned out and the title so much that I might do a whole series of "Graffiti of..." pieces.
Soon to be an NFT!
Soon to be an NFT!
You can order prints right here: [link]
Sunday, October 3, 2021
"Cinnamon Bun"
Sunday, September 19, 2021
“The Procession — Dia de los Muertos — Study 1”
This is the first in a series of smaller studies, related to Dia de los Muertos and The All Souls Procession. These are quick, and untitled.
Labels:
all souls procession,
procession
Sunday, May 2, 2021
Wednesday, April 14, 2021
Wednesday, April 7, 2021
"Maison Bertaux Revisited"
I've been wanting to try my hand at some digital art. As a result, took my painting "Maison Bertaux" and tried to squash it into ArtRage 6 to see what would happen. After shaking it around, banging it on the desk, and playing around for a couple of hours, I came up with this monster. I'm not sure if it is genius or a four year old did it. What ever the case, it's Dave's first digital art! (Don't look at it too long; it'll give you a headache)
Friday, March 5, 2021
Sunday, September 27, 2020
"Skirts on Fire"
One of the performers that march the The All Souls Procession each year is a group of Flamenco dancers. As they march, the wave their skirts back and forth very vigorously, to the point it looks like they are on fire. It has made such an impression on me that I decided that I had to paint them. To be honest, it has been a difficult painting to pull off, but i think it has finally come together.
Progress over time:
Session 1
Session 2
Session 3
Session 4
Session 5
Session 6
Session 7
Final
Labels:
all souls procession,
procession
Wednesday, June 24, 2020
Sunday, May 24, 2020
"Maison Bertaux"
This painting is a scene from a recent trip to London. While in the Soho region of London, I came across a charming French cafe. After stopping for coffee, I took a few pictures and wandered on my way. Later that night, looking through my pictures, I found the perfect painting to go with my European street scenes.
During the execution of the painting, I tried something new. In the past, I’ve leaned heavily on a pigment called Transparent Oxide Brown. This though always left a orange/brown cast to my paintings. This time, though, I replaced the pigment on my palette with Transparent Oxide Red. It has made for a wonderful, more colorful painting.
Progress over time:
Session 1
Session 2
Session 3
Session 4
Session 5
Session 6
Session 7
Session 8
Final
Saturday, February 15, 2020
Sunday, June 16, 2019
"Selfie"
This is the second in my series inspired by the All Souls Procession, an annual event in Tucson, Arizona celebrating and remembering those who have passed on. This piece is a companion to "Mirror", a similar piece, showing someone in sugar skull makeup looking in a mirror. This is a self portrait.
Progress over time:
Session 1
Session 2
Session 3
Session 4
Final
Labels:
all souls procession,
procession
Friday, March 29, 2019
Saturday, March 23, 2019
Unveiling Party
On March 23, 2019, "Let's Eat and Drink While There is Oil in the Lantern" was unveiled to the public for the first time. A gathering of family and friends were at the event. It was there that I handed over the reigns to the piece to its new owner. A good time was had by all.
Saturday, March 2, 2019
"Let's Eat and Drink While There Is Oil in the Lantern"
This piece is inspired by medieval reenactment. It shows two people at The Estrella War, an annual event in Arizona, where people gather to practice armored combat, and the arts and sciences related to the Middle Ages. The event is sponsored by the Society for Creative Anachronism (SCA).
This piece shows two old friends back at camp, cooking, and the camaraderie and brotherhood at the event.
Progress over time:
Session 1
Session 2
Session 3
Session 4
Session 5
Session 6
Session 7
Session 8
Session 9
Session 10
Final
Monday, July 23, 2018
Sunday, June 17, 2018
"Mirror"
This is the first in my series inspired by the All Souls Procession, in Tucson, Arizona. The All Souls Procession, according to their website, "is an enormous community-created, non-commercial event to creatively honor and celebrate our dead." It is a parade of sorts where people dress up. In particular, many dress in the fashion of Dia de los Muertos, a Mexican holiday that also celebrates the dead that occurs around the same time. This piece shows someone putting on sugar skull makeup for The Procession, while looking in a mirror, hence the name: "Mirror."
Progress over time:
Session 1
Session 2
Session 3
Session 4
Session 5
Final
Labels:
all souls procession,
procession
Sunday, December 31, 2017
Thursday, October 26, 2017
Tuesday, October 24, 2017
Wednesday, July 12, 2017
Friday, June 16, 2017
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